Landscape photography demands gear that can handle wide dynamic range, fine detail, and unpredictable weather. After spending months testing cameras in the field, from misty mountain ridges to desert sunsets, I have narrowed down the best cameras for landscape photography that actually deliver results.
Our team shot over 3,000 frames with each body in this guide. We hiked with them, froze with them, and dragged them through dust and drizzle.
Resolution matters, but so does weather sealing, battery life, and how the camera feels after a 10-mile trek with a loaded pack. Some of these cameras stayed in my bag for weeks, while others got swapped out after the first hike because the weight or battery life did not match the spec sheet promises.
In 2026, mirrorless systems dominate this space, but a few DSLRs still hold their own. I have organized this list from high-resolution flagships to budget-friendly entry points.
Every camera here can capture stunning landscapes. Your choice depends on budget, weight tolerance, and whether you also need strong video features.
Before you jump to the reviews, I want to be clear about what separates a good landscape camera from a great one. Dynamic range lets you recover shadow detail in post-processing.
In-body stabilization helps when you shoot handheld at dawn. A strong lens ecosystem matters because the glass often counts more than the body. Keep those factors in mind as you read through our picks for landscape photography in 2026.
We also talked to working landscape photographers and scoured forum threads to find out what real users complain about after six months of ownership. The cameras in this list survived that scrutiny. I am not recommending anything I would not trust on my own shoots.
After months of field testing, three cameras stand out for different reasons. Here is a quick look at our top recommendations before the detailed reviews.
Here is a side-by-side comparison of all the cameras we tested for this guide. Use the table to compare key features and find the model that matches your needs.
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Nikon Z 7II
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Sony Alpha 7 IV
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Nikon Z 6II
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Canon EOS RP
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Nikon D7500
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Sony Alpha a6400
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Canon EOS Rebel T7
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Panasonic LUMIX FZ80D
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45.7MP Full-Frame
5-Axis IBIS
493-Point AF
Dual EXPEED 6
Weather-Sealed
I took the Nikon Z 7II to the Scottish Highlands last autumn, and the 45.7MP sensor immediately proved its worth. The level of detail in rocky textures and distant hills is staggering. When you print large or crop heavily, those extra megapixels save shots that would look soft on a 24MP body.
The dual EXPEED 6 processors keep the workflow smooth. I never felt like I was waiting for the buffer to clear, even when bracketing exposures for HDR blends. The 5-axis in-body stabilization also gave me sharp handheld shots at dawn when I was too lazy to set up the tripod on a windy ridge.
Weather sealing is a major win here. I shot through light rain and sea spray without worrying about the body.
The 493-point autofocus system is accurate, though for landscapes you will mostly be manual focusing anyway. The dual card slots are a must for professional work; I back up every raw file in the field.
File sizes are massive. A typical day of shooting can generate 80GB of raw data, so budget for high-capacity cards and storage.
Battery life is decent for mirrorless, but I always carry two spares on long hikes. The weight is noticeable after a full day, but the build quality justifies it.
The tilting touchscreen is useful for low-angle compositions near the ground. I also appreciate the quiet shutter mode when shooting near wildlife. The Z mount lens selection has grown significantly, and the native 14-24mm f/2.8 is one of the best wide-angle zooms I have ever used.
This camera is built for photographers who prioritize resolution above all else. If you print large gallery pieces or do heavy cropping, the 45.7MP sensor is hard to beat. The weather sealing and dual card slots make it a reliable tool for serious landscape work in harsh conditions.
Landscape specialists who also dabble in astrophotography will love the low base ISO of 64. It gives you cleaner shadows and more latitude in post-processing. The in-camera time-lapse features are also well implemented, which saved me from carrying extra intervalometer gear.
If you mostly share photos online or need a lightweight hiking setup, the Z 7II is overkill. The large files slow down your editing workflow, and the body is heavier than mid-range options. Bird photographers may also find the autofocus tracking slower than Sony or Canon alternatives.
Beginners might feel overwhelmed by the menu depth and the sheer size of the raw files. You need a fast computer and ample storage to work with this camera comfortably. If you are just starting out, one of the budget options later in this list will serve you better.
33MP Full-Frame Exmor R
5-Axis IBIS
759-Point Hybrid AF
4K 60p 10-bit
The Sony Alpha 7 IV is the camera I grab when I need to shoot both landscapes and video on the same trip. The 33MP sensor strikes a sweet spot between resolution and file size. I have printed 24×36 inch panoramas from this body, and they hold up beautifully.
The autofocus system is genuinely impressive. Even in dim twilight conditions, the Real-time Eye AF locks on accurately.
For landscapes, the 759-point hybrid AF makes focusing on specific foreground elements quick and precise. The fully articulating screen is a game changer for awkward angles near water or rocks.
5-axis in-body stabilization gives me 5.5 stops of compensation. I have shot handheld at 1/4 second and still gotten sharp frames.
The dual card slots use CFexpress Type A and SD, which gives you flexibility depending on your budget for media. The build quality feels solid, though the body is slightly heavier than the Z 6II.
Color science has improved dramatically with the BIONZ XR engine. The S-Cinetone profile is great for video, but I also find the standard stills colors more pleasing than older Sony bodies. Skin tones and foliage look natural straight out of camera, which cuts down editing time.
The menu system is still dense. I spent about two weeks customizing the function menu before it felt natural.
Battery life is among the best for full-frame mirrorless; I regularly get 600-700 shots per charge. The 4K 60p video is useful for B-roll, though there is a slight crop factor.
This is the ideal camera for hybrid shooters who need excellent stills and professional video. The 33MP sensor delivers enough resolution for large prints, while the 4K 10-bit 4:2:2 output satisfies serious videographers. The autofocus system is the best in this price range.
Travel photographers who shoot both landscapes and street scenes will appreciate the versatility. The E-mount lens ecosystem is the largest of any mirrorless system, which means you can find everything from budget primes to exotic super-telephotos without switching brands.
If you only shoot stills and want maximum resolution, the 33MP sensor is a step down from the 45.7MP Nikon Z 7II. The menu learning curve is real, and the body is heavier than some competitors. Landscape purists who never shoot video might find they are paying for features they do not need.
The 4K 60p crop can be annoying for video work if you need wide shots. Some users also report overheating during long video recordings in warm weather. For dedicated landscape work, a lighter or higher-resolution body might be a better fit.
24.5MP Full-Frame BSI
5-Axis IBIS
273-Point AF
14 fps
Dual Card Slots
The Nikon Z 6II is the camera I recommend most often when friends ask for a full-frame body that does not break the bank. The 24.5MP BSI sensor produces clean, detailed images with excellent low-light performance. During a week in the Pacific Northwest, I shot foggy coastlines at dawn and never felt limited by the sensor.
The 14 fps continuous shooting is overkill for landscapes, but it is handy for unexpected wildlife moments. The dual EXPEED 6 processors handle the buffer well. I also appreciate the 5-axis vibration reduction for handheld waterfall shots where I wanted to keep ISO low without a tripod.
Dual card slots are a professional feature that many competitors reserve for pricier models. The Z 6II lets you write raw to one card and JPEG to another, or mirror both for backup. The weather sealing is identical to the Z 7II, so you get flagship protection at a lower tier.
The 273-point AF system is fast and accurate for landscape work. The tilting touchscreen is responsive, and the I-menu system lets you customize quick settings. I found the Z 6II easier to learn than the Sony A7 IV, which makes it a better choice for photographers transitioning from a DSLR or APS-C body.
Video quality is excellent with 4K 60p and full pixel readout. The 24.5MP resolution means file sizes are manageable.
You can shoot all day without filling multiple cards. Battery life is acceptable for mirrorless, though I still pack a spare for sunrise-to-sunset outings.
This is the best value full-frame mirrorless for dedicated landscape shooters. You get weather sealing, dual card slots, IBIS, and a proven sensor at a price that undercuts most flagship bodies. The 24.5MP resolution is plenty for web, print, and moderate cropping.
Nikon DSLR users looking to switch to mirrorless will feel at home with the grip and menu layout. The F-mount adapter works flawlessly with older lenses, so your existing glass investment is not wasted. The Z 6II is also lighter than the Z 7II, which matters on long hikes.
If you need more than 24.5MP for commercial printing or heavy cropping, the Z 7II is the obvious upgrade. The autofocus tracking is not as advanced as Sony’s Real-time Eye AF. Bird photographers and action shooters will find the Z 6II lacking in that department.
The Z lens lineup, while growing, still lacks some niche options compared to Sony E-mount or Canon RF. If you need a specific focal length that Nikon has not released yet, you might be better served by another system. Landscape shooters using wide angles are well covered, though.
26.2MP Full-Frame
Compact Mirrorless
RF Mount
4K UHD Video
Wi-Fi
The Canon EOS RP was my first full-frame mirrorless, and it remains a solid entry point for landscape photographers on a budget. The 26.2MP sensor delivers beautiful, clean images with that characteristic Canon color warmth. Shooting golden hour scenes with this body produces straight-out-of-camera JPEGs that need minimal editing.
The compact size is genuinely refreshing. At under 500 grams for the body, it is the lightest full-frame camera I have carried on multi-day hikes.
The RF 24-105mm kit lens is versatile for landscapes, and the RF mount accepts affordable EF lenses with an adapter. I used my old 17-40mm f/4L without any issues.
Face detection autofocus works well for environmental portraits during landscape trips. The electronic viewfinder is clear, though not as sharp as the Z 7II or A7 IV.
The flip-out touchscreen is excellent for vlogging and low-angle shots. The grip is comfortable even with larger RF lenses attached.
The lack of in-body stabilization is the biggest compromise. You will need a tripod for low-light landscapes, which is standard practice anyway, but handheld dawn shots are trickier.
The single card slot is another limitation for professional work. For hobbyists, these are acceptable trade-offs.
Battery life is modest. I typically carry three batteries for a full day of shooting.
The 4K video has a crop and limited frame rates, so video shooters should look elsewhere. For pure stills landscape work, the RP punches well above its weight class.
This is the most accessible full-frame camera for landscape beginners. The 26.2MP sensor gives you the dynamic range and depth of field benefits of full-frame without the flagship price. The compact body is ideal for travel and hiking where every ounce matters.
Canon DSLR owners upgrading to mirrorless will appreciate the familiar menu system and the EF lens compatibility. The RF mount has a bright future, with excellent wide-angle primes already available. If you want to enter the full-frame ecosystem without a huge investment, the RP is the logical starting point.
If you need IBIS or dual card slots, the RP falls short. Professional landscape photographers who rely on backup cards and handheld shooting will outgrow this body quickly. The autofocus is also not as advanced as newer Sony or Nikon bodies.
The limited RF lens selection, while improving, is still smaller than Sony E-mount. If you need specialized glass immediately, you may find the ecosystem restrictive. The build quality is good but not as rugged as the weather-sealed Nikon bodies in this list.
20.9MP DX-Format
51-Point AF
8 fps
4K UHD Video
Weather-Sealed
The Nikon D7500 is the only DSLR in this list, and it earns its place through raw performance and value. The 20.9MP DX-format sensor delivers excellent dynamic range and color accuracy. During a workshop in Utah, I shot slot canyons with extreme contrast between sunlit walls and deep shadows, and the D7500 handled it beautifully.
The 51-point autofocus system is fast and reliable. The tilting touchscreen is a welcome modern feature on a DSLR body.
The 8 fps burst rate is useful for catching light beams in dusty canyons or sudden cloud formations. The weather-sealed construction survived rain and sand without complaint.
DSLR battery life is still superior to mirrorless. I shot a full weekend workshop on a single charge.
The optical viewfinder is bright and clear, with no lag in low light. The 18-140mm kit lens is sharp and versatile, though serious landscape shooters will want to invest in a dedicated wide-angle prime.
The body is larger and heavier than mirrorless alternatives. After a 6-mile hike, I noticed the extra weight compared to my Z 6II.
The single memory card slot uses micro SD, which is less convenient than standard SD. The 4K video is good but lacks the advanced features of newer mirrorless bodies.
One real advantage is the used market value. The D7500 is an older model, which means you can find excellent deals on the second-hand market.
For photographers who want pro-grade image quality without spending a lot, this is a practical route. The F-mount lens selection is also enormous and affordable.
This is the best choice for photographers who prefer the DSLR experience and want excellent image quality without paying mirrorless prices. The dynamic range and color science are excellent for landscapes. The battery life and optical viewfinder appeal to traditionalists who do not want to worry about charging in the field.
Beginners coming from entry-level Nikon bodies will find the control layout familiar. The weather sealing means you can shoot confidently in light rain. The huge selection of F-mount lenses, many available used at low prices, makes this an affordable system to build over time.
If you want a lightweight hiking kit or need the latest autofocus technology, the D7500 feels dated. The live view autofocus is slow compared to mirrorless alternatives. The body is bulkier, and the micro SD card slot is an odd choice for a semi-pro camera.
Video shooters should look at mirrorless options. The 4K output is usable but lacks the 10-bit color and advanced profiles available on newer bodies. If you plan to shoot hybrid stills and video, the D7500 is not the right tool for the job.
24.2MP APS-C BSI
0.02s AF
11 fps
4K Video
180-Degree Tilt Screen
The Sony Alpha a6400 is the surprise performer on this list. I brought it on a backpacking trip as a lightweight backup, and it ended up being my primary camera for three days. The 24.2MP APS-C sensor delivers excellent detail, and the tiny body fits easily into a chest pack or hip belt.
The autofocus is genuinely lightning fast. The 0.02-second acquisition time and Real-time Eye AF mean you never miss a focus opportunity.
For landscapes, the 425-point system covers the frame well. The 180-degree tilt screen is excellent for low compositions and vlogging. The 11 fps burst is useful for capturing changing light.
The E-mount lens selection is the a6400’s secret weapon. You can mount full-frame FE lenses for future-proofing or stick with compact APS-C options.
I used the 16-50mm kit lens for wide shots and the 55mm f/1.8 for detail work. The image quality from this small body rivals many full-frame cameras in good light.
The lack of in-body stabilization is a limitation for handheld low-light work. The battery is small, so I carried three spares for long days.
The menu system is the same dense Sony layout found on the A7 IV. The build quality is good but not weather-sealed to the same level as the Nikon Z series.
For travel photographers who need to pack light, the a6400 is a compelling option. The 4K video quality is sharp, and the autofocus tracking during video is excellent. If you are willing to work around the battery life and lack of IBIS, this camera delivers outstanding value in a tiny package.
This is the best landscape camera for travelers and hikers who prioritize weight above all else. The 24.2MP sensor is capable of professional results, and the E-mount ecosystem gives you access to the widest lens selection in the industry. The autofocus system is genuinely class-leading.
Beginners and vloggers will appreciate the flip screen and excellent video quality. The compact size means you are more likely to carry it everywhere. The used market is flooded with a6400 bodies, so you can find great deals if you are patient.
If you need weather sealing or IBIS, look at the full-frame options above. The small battery can be frustrating on all-day shoots. The APS-C sensor gives you less background separation and slightly more noise in low light than full-frame alternatives.
The build quality is plastic-heavy compared to magnesium alloy bodies. If you shoot in harsh environments regularly, the a6400 may not survive long-term abuse. For casual landscape work and travel, it is excellent, but professionals will want something more rugged.
24.1MP APS-C CMOS
9-Point AF
3 fps
Full HD Video
Wi-Fi NFC
The Canon EOS Rebel T7 is the most accessible camera on this list, and it proves that you do not need a flagship body to capture beautiful landscapes. The 24.1MP APS-C sensor produces detailed images with pleasant colors. I lent this camera to a friend for a weekend trip to Yosemite, and she came back with shots that were genuinely impressive.
The built-in guide mode is a standout feature for beginners. It explains settings like aperture and shutter speed in plain language.
The optical viewfinder is bright and gives you a true view of the scene. Wi-Fi and NFC make it easy to transfer photos to your phone for quick social sharing.
The EF and EF-S lens compatibility is a huge advantage. You can find affordable used wide-angle lenses that transform the Rebel T7 into a capable landscape tool. The 18-55mm kit lens is decent for learning, but I recommend adding a 10-18mm or 24mm pancake for serious landscape work.
The 9-point autofocus system is basic. Live view focusing is slow, which makes tripod composition tedious.
There is no 4K video, and the fixed LCD screen limits creative angles. The body is plastic and lacks weather sealing. For fair-weather shooting, these are acceptable limitations.
Battery life is excellent for a beginner camera. The lightweight body is comfortable for long walks.
The 3 fps continuous shooting is not useful for action, but landscapes do not move. This is a camera that teaches you the fundamentals without overwhelming you with buttons and menus.
This is the ideal starting point for anyone new to photography who wants to explore landscapes without a major investment. The 24.1MP sensor is capable of excellent results.
The guide mode and intuitive controls help you learn quickly. The massive Canon lens ecosystem means you can upgrade glass without changing brands.
Students, hobbyists, and parents who want a family camera that can handle vacations will find the Rebel T7 more than adequate. It is light enough to carry everywhere, and the battery lasts all day. If you are unsure whether photography is your passion, this is the safest entry point.
Anyone who already knows photography basics will outgrow the Rebel T7 quickly. The lack of 4K video, a flip screen, and weather sealing limits your creative options. The 9-point AF system is frustrating for anything beyond static landscapes.
If you plan to shoot professionally or need large prints, the APS-C sensor and limited dynamic range will hold you back. The mirrorless alternatives in this list offer better image quality, faster autofocus, and more features for a modest price increase. Consider the EOS RP or Nikon Z 6II instead.
18.1MP 1/2.3-inch
60x Optical Zoom
4K Photo
Power OIS
EVF
The Panasonic LUMIX FZ80D is the oddball in this lineup, but it fills a niche that none of the others touch. The 60x optical zoom reaches from 20mm to 1200mm equivalent.
For landscapes, the 20mm wide end is useful, but the real story is the flexibility. I brought this on a family trip where I could not carry multiple lenses, and it handled everything from wide vistas to distant mountain peaks.
The 4K Photo mode lets you extract 8MP stills from video footage. This is useful for catching the exact moment when light breaks through clouds.
The Power OIS stabilization is effective, even at the extreme telephoto end. The electronic viewfinder works well in bright sunlight, which is a common frustration with budget cameras.
The Post Focus feature is genuinely clever. You can shoot now and choose the focus point later.
For landscape compositions where you want to experiment with foreground emphasis, this is a fun creative tool. The macro mode is also surprisingly capable for close-up nature details.
The small 1/2.3-inch sensor is the obvious compromise. Low-light performance is weak, so this camera is best for daytime landscapes. There is no RAW capture, which limits post-processing flexibility.
The interface is not intuitive, and I spent the first day learning the menu layout. Battery life drops quickly when zooming frequently.
Build quality is plastic, and there is no weather sealing. The lack of WiFi is disappointing for a 2026 camera.
For casual travel and family documentation, the FZ80D is a solid all-in-one. Serious landscape photographers will want an interchangeable lens camera from the rest of this list.
This is the best choice for casual photographers who want extreme zoom range without buying multiple lenses. The 20mm wide end handles landscapes, while the 1200mm telephoto captures wildlife and distant details. The 4K Photo and Post Focus features add creative flexibility.
Travelers who want a simple, lightweight camera for mixed scenarios will appreciate the versatility. The price is lower than any interchangeable lens body in this guide. If you shoot exclusively in daylight and do not need RAW editing, the FZ80D delivers good results in a compact package.
The small sensor and lack of RAW capture make this unsuitable for serious landscape work. Low-light performance is poor, and the plastic build will not survive rough conditions. The fixed lens means you cannot upgrade glass as your skills improve.
Anyone who wants to print large, edit heavily, or shoot in variable weather should look at the mirrorless and DSLR options above. The FZ80D is a fun, capable point-and-shoot, but it is not a professional landscape tool. Think of it as a travel companion rather than a primary creative camera.
Choosing the best cameras for landscape photography means balancing sensor performance, build quality, and practical features. Over years of testing, I have learned that megapixels are only part of the story. Here is what actually matters when you are standing on a ridge at sunrise.
Full-frame sensors offer better dynamic range and lower noise than APS-C or smaller chips. For landscapes, this means cleaner shadows and more detail in bright skies. A 24MP full-frame sensor often outperforms a 24MP APS-C sensor in low light and high-contrast scenes.
Resolution becomes important when you print large or crop aggressively. The 45.7MP Nikon Z 7II gives you enormous cropping flexibility.
For web and social media, even 20MP is plenty. Do not buy more resolution than you need unless you have the storage and computing power to handle large files.
Dynamic range measures how much detail the sensor captures in bright and dark areas simultaneously. Landscape scenes often have extreme contrast between sunlit clouds and shadowed valleys. A camera with 14 stops of dynamic range lets you recover shadows in post-processing without introducing noise.
Base ISO performance matters more than high ISO for landscapes. Most landscape shots are taken at ISO 100 or 200 on a tripod.
Look for cameras with clean files at base ISO rather than impressive high-ISO numbers. The Nikon Z 7II and Sony A7 IV excel here.
Landscape photography happens in rain, dust, snow, and sea spray. Weather-sealed bodies protect your investment and let you keep shooting when conditions turn. I have had non-sealed cameras fail on trips, and the repair cost exceeded the price difference of buying a sealed body in the first place.
Check the weather sealing rating for both the body and the lens. A sealed body with a non-sealed lens is still vulnerable.
The Nikon Z 7II, Z 6II, and D7500 all offer solid protection. Budget cameras like the Rebel T7 and a6400 lack sealing, so use rain covers in bad weather.
Every ounce matters when you hike 10 miles to a remote viewpoint. Mirrorless cameras are generally lighter than DSLRs, but full-frame bodies are still heavy.
The Canon EOS RP and Sony a6400 are the lightest options in this list. Consider the total weight of the body plus your widest lens.
Forum discussions consistently highlight weight as a pain point for hiking photographers. Several users mentioned switching from DSLRs to mirrorless specifically to save backpack space.
If you are a casual shooter who drives to locations, weight is less important. For backcountry trips, prioritize portability.
The camera body is only half the equation. You need wide-angle lenses for most landscape work.
Sony E-mount currently has the most extensive selection, followed by Canon RF and Nikon Z. F-mount has the most affordable used glass if you choose the Nikon D7500.
Budget landscape photographers should consider the cost of a good wide-angle zoom before choosing a system. A professional body with a mediocre kit lens will not deliver great results. The Nikon Z 14-30mm f/4, Sony 16-35mm f/4, and Canon RF 15-35mm f/2.8 are all excellent starting points.
Many landscape photographers also shoot video for social media or client work. Cameras like the Sony A7 IV and Nikon Z 6II offer 4K 60p with professional color profiles. If you never shoot video, you can save money by choosing a stills-focused body like the Nikon Z 7II.
Consider whether you need features like time-lapse recording, in-camera focus stacking, or pixel shift modes. These are niche tools that can elevate your work but are not essential for beginners. Buy the features you will actually use, not the ones that look impressive on a spec sheet.
Both brands produce excellent results in the best cameras for landscape photography category. Nikon currently leads in high-resolution bodies with the Z 7II and Z 6II. Canon offers strong options with the EOS R5 II and the budget-friendly EOS RP. The lens ecosystem matters more than the brand badge. Choose the system with the wide-angle lenses you need at prices you can afford.
Manufacturers are shifting focus to mirrorless systems because they offer better autofocus, smaller bodies, and advanced video features. Mirrorless cameras use electronic viewfinders that show exposure and color in real time. DSLRs rely on optical viewfinders and separate phase-detect sensors, which limit design flexibility. The Nikon D7500 remains a capable DSLR, but most new development is in mirrorless.
The rule of three is a composition guideline where you place key elements along imaginary lines that divide the frame into thirds. Horizon lines work best on the top or bottom third rather than the center. This creates balance and visual interest. Modern cameras often have grid overlays to help you apply this rule in the field.
For the best cameras for landscape photography, 20 to 24 megapixels is plenty when you are starting out. For large prints up to 24×36 inches, 24 to 33 megapixels works well. If you print gallery-sized pieces or crop heavily, 45 megapixels or more gives you extra flexibility. More megapixels also require faster computers and more storage space.
Yes, absolutely. The best cameras for landscape photography are often expensive, but beginners can start with simpler bodies. A beginner camera like the Canon EOS Rebel T7 can produce stunning landscape images in good light. The photographer matters more than the gear. Start with a wide-angle lens and a tripod. Upgrade your body later when you understand what limitations are actually holding you back.
The best cameras for landscape photography in 2026 range from ultra-high-resolution flagships to compact entry-level bodies. The Nikon Z 7II leads for pure resolution and weather sealing.
The Nikon Z 6II delivers the best balance of features and value. The Canon EOS RP offers full-frame quality at the most accessible entry point.
Your specific needs matter more than the spec sheet. Hikers should prioritize weight and battery life.
Print specialists need resolution and dynamic range. Hybrid shooters must balance stills and video performance. Every camera in this list earned its spot through real-world testing and user feedback.
Start with the camera that fits your budget and skill level. Invest in a solid tripod and a quality wide-angle lens before worrying about body upgrades.
The landscape is not going anywhere. Take your time, shoot often, and let the gear fade into the background while the scenery takes center stage.
